Artist Shih Yung-Chun conceals his fanciful interpretations in the vagueness of the most trivial things appearing in his works, setting up irrational plots we often overlook in real life. This coincidentally corresponds with the interpretations of dreams from the surrealists in last century. From his unique perspectives, Shih Yung-Chun expresses “life” in various quirky and grotesque ways. “Painting” is his exit for fleeing from reality. Here, he is able to rationalize every fantasy and fictional creation. The thrilling plots hidden under ordinary materials in his works are more like the mystifying tricks in horror movies, and are more deviant than from the surrealists’ dreams.

In “Park Information” series, SUN Pei-mao incorporated animals not native to Taiwan, such as zebras and elephants, and idols in Chinese folklore into his works about past amusement parks in Taiwan. He used an almost self-mocking approach to reshape a common experience that many Taiwanese had growing up. Taking the inverse perspective approach, SUN Pei-mao reassembled dissimilated elements in a picture into a huge, map-like visual scene, and various little stories were unfolding concurrently at various spots on the scene.

The film is to portrait the artist, Lai Wei-Yu. He refused to grow up. He is using art as a weapon, to oppose the established social order. The monsters he created brought the Apocalypse and the salvation to those miserable grownups.